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Advanced development
Draft Q3 2026
€3M approx.
Hagar Ben Asher
Attached
Q1 2027
Top-tier US male lead.
Names on request.
Q4 2027
Ilya Stewart · Hype
Tom Sidi · O-1
Sales agent · Distributors
Financing partners
English · Feature
~100 min
All available
Equity · Soft money
Pre-sales
Militia-controlled territories. No central government. The state didn't fall — it was replaced.
"Whiters" — bounty hunters hired by the militias to hunt down anyone who escaped the camps.
Canada opens its border once. Twelve hours. After that, it's gone.
Not dystopia. Not sci-fi. A fable — ugly, specific, and occasionally, against all odds, beautiful.
Adam gets out of the camp with one idea: find his boys. He carries two puppet elephants — built from memory, shaped after the birthmarks his sons were ashamed of. He knows they won't recognize his face. They might recognize the puppets.
What he didn't plan for is Lily — a ten-year-old who has survived everything this world has thrown at her, and refuses to let him die alone in it.
At every stop, Adam performs. The puppet show draws children. It buys time — sometimes food, sometimes passage. And somewhere out there, two boys might still recognize it.
He's in almost every frame. A former actor who built a career on being watched — now surviving in a world that would kill him for it.
Not sympathetic, exactly. But the kind of person you can't stop watching.
The role demands: emotional restraint · physical endurance · psychological exposure
Rebuilding his capacity to feel in real time, across terrain that keeps making the case against it.
Never knew the world before the war. No illusions. Doesn't need saving — forces survival.
He drives the story. She disrupts it.
Paper Moon
Apocalypse Now
Beasts of the
Children
Life isTribeca · Venice
Intl Festival Premiere
Cannes · Critics' Week
Cannes · Cinéfondation
Hype Studios
stewart@hypestudios.com
O-1 Productions
tom@o1productions.com